Canon 7D Portraits & Observations
Updated 3/28/2010: Lightroom 3 beta 2 rocks for Canon 7D RAW files. Thank you Adobe!
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Update 3/6/2010: The default processing of RAW files in Lightroom 2.6 for the Canon 7D leaves something to be desired. This is from having using Lightroom earlier with a 20D, 1D Mark II & III. Noise is significantly more visible in the RAW files than .jpg until significant post processing is done so it you are pressed for time you might want to just shoot .jpg. I suppose the argument for doing this is to allow the photographer more latitude for correcting noise to their personal taste. I find myself preferring to see RAW photos look great straight from the camera...perhaps I'm just impatient. Photoframd has a good post comparing several RAW processing software for the 7D. Since Lightroom is embedded in my own workflow, I stick with it.
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Update: 11/19/2009: Adobe products now support RAW files from the Canon 7D - Lightroom 2.6 and Adobe Camera RAW 5.6
for Photoshop have been released. Since this
is a recent development I have not had a chance to use either significantly but should make a dramatic improvement on image quality.
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This is a continuation of a prior Canon 7D post after I picked the camera up a couple weeks back. Coming from the 1D mark III it takes some getting used to but I'm getting the hang of it. In many ways it is a much more sophisticated camera. These are some pictures of my son that I took with it today. I'm not qualified to give an in-depth technical analysis but here are some of my observations. The following photos were shot in RAW and processed with Adobe Lightroom 2.5 which has not yet been updated for the camera yet, I can't say whether it will make a difference. You can find the photos with the exif data at my Zenfolio album or by clicking a photo to go to Flickr.
Update 10/27:
all files were processed in Lightroom 2.5 which has not received an
update yet for properly handling images from the Canon 7D. The result
is excessive noise that is not nearly as evident when using the Canon
Digital Photo Professional or DPP software. The issue is now well known
and no longer speculation so the images on my site are not good
representations of what the camera is capable of.

I really miss the built-in vertical grip, it was a feature I used expensively with the 1D. Despite the fact that there is an add-on battery grip and WFT-E5a wifi grip available, the accessory grips never fit as securely in my opinion. In addition, with the WFT-E5a attached, it can make removing the battery a challenge.

I am however really enjoying the smaller, lighter form factor and am now able to use an old Crumpler messenger style bag that I had retired because it was too cramped for the 1D. I can easily fit the 7D with 28-70 2.8 L attached, 70-200 2.8 L and either a flash or my 16-35 2.8 L into the bag and have a nice padded, inconspicuous kit to have with me at all times.

So far I have been extremely impressed by how robust the camera is. I had no intention of ever owning a camera with a pop-up flash ever again because I wouldn't use it and they tend to be flimsy but I am loving how the camera feels in my hand. The fact that the internal flash can act as a master for my 580 EX flash sold me on the feature. I haven't used it yet but definitely intend to in the near future. In addition, the memory card door has been substantially beefed up (or so it seems). On earlier models it felt like a weak spot, something that could potentially break easily.
I also miss having a second SD card slot for my Eye-Fi Pro card but I knew I was losing that feature going in; I'm already brainstorming a work around. The auto-focus is supposed to compete with the 1D speed wise, I have no way of testing it but I do prefer the new interface. Since I shoot in portrait (vertical) mode frequently, the fact that I can set a specific focus point for each orientation is a huge bonus. When shooting wide open, no longer do I need to keep changing the focus point when switching back and forth which speeds up my response time.
Other things I like but haven't yet used, the HD video, the grid overlay to help keeps lines and horizons straight and the built-in digital level. My 16-35 2.8 L is likely not wide enough and I might sell it in favor of the Tokina 11-16 2.8 which is getting rave reviews.
I am still looking for a tripod head solution. I currently use the Kirk BH-3 ball head which is great for stills but not very good for video. Since I prefer an Arca style clamp it looks like selection is limited in the fluid head department. I can't afford to have two heads so I'm looking for an affordable hybrid solution. Right now it looks like the combination of a Bogen fluid head, Arca clamp adapter and either Kirk or Really Right Stuff L plate is the best option. The L plate is necessary because video fluid heads don't have a vertical or portrait orientation.
I welcome your thoughts and suggestions, thanks for stopping by.
More recent photos from the Canon 7D indoors with flash.